Constantinos Paschalidis introduces his new volume with Archaeopress reporting on excavations of a Mycenaean cemetery, located by the historic Achaia Clauss wine factory, near Patras, Greece.
This work comprises the study of the finds from the excavation of the University of Ioannina and the Archaeological Society at Athens in the Mycenaean cemetery, located by the historic Achaia Clauss wine factory, near Patras. The research was carried out between the years 1988-1992 under the direction of Professor T. Papadopoulos (figs 1, 2). The presentation of the topic expands into seven thematic chapters, proceeding from the whole to the parts – and then returning to the whole. Thus, one progresses from the general review of the cemetery space and the sites, to the analytical description of the excavation, to the remarks on the architecture, to the study of the finds, to the analysis of the burial customs and finally to the narration of the overall history of the cemetery according to chronological period and generation of its people. The eighth and last chapter is an addendum including a presentation of the anthropological analysis of the skeletal material.
More precisely, the study is organized as follows: Chapter 1 includes a complete and brief catalogue of the Mycenaean sites in Achaea. The cemetery site is described separately with special mention of the neighbouring excavations (fig. 3). Furthermore, in this chapter the distribution and character of the sites across the entire territory is examined and presented as a general overview.
In Chapter 2, the description of the tombs is to be found, arranged into three parts for each in turn. The first section focuses on the description of the tomb’s architecture and the clustering and appearance of the finds in it. The second part sums up all the above evidence, following the chronological sequence of the burials. The third part displays, through easy-to-understand tables, the burials along with the gender, the age and the grave-goods of each individual, grouped in chronological order of introduction into the tomb. These tables also record any other non-burial episode that has been attested through the history of the chambers, in chronological order too.
In Chapter 3, the area of Clauss is examined, as well as the layout of the cemetery (figs 4, 5), the architecture of the tombs, the bedrock, the manner of construction and the structural problems related to them.
Fig. 4. Topographic sketch of the Mycenaean cemetery at Achaia Clauss.
Fig. 5. General view of the cemetery after the completion of its last excavation season, in 1992.
Chapter 4 contains the analytical catalogue of the finds in each tomb, recorded according to their excavation numbering, accompanied by the corresponding Museum of Patras inventory number. The catalogue contains one or more photos and drawings of each find, its detailed description and bibliographical documentation with parallels selected mainly from published assemblages from the rest of Achaea, Elis and the nearby Ionian islands.
Chapter 5 deals with the analytical presentation of the finds from the cemetery (figs 6a-b), citing typological parallels from the entire Mycenaean world, including comments on their use in the cemetery and in their era, in general. The examination of the finds is arranged according to category: pottery, bronze, bone, stone finds, along with minor objects made of various materials (spindle whorls, seals, beads and a figurine).
Figs 06a. Tomb B. Two-handled kalathos with five vases inside of it and one more outside, as found in the chamber.
Figs 06b. Tomb B. Two-handled kalathos with five vases inside of it and one more outside, as found in the chamber.
In Chapter 6, the burial customs of the cemetery (fig. 7) are discussed as these emerge from the investigation of the archaeological finds and the results of the osteological study by Dr Photini J. P. McGeorge, whose full analysis is not included in the present work and by DrWiesław Więckowski, whose report is presented in Chapter 8.
Chapter 7 sums up all of the research data into a brief and concise overview of the burials according to chronological period and generation (phases 1-6 of the LH ΙΙΙC period), with reference to the society that the Clauss people and their contemporaries in the rest of Achaea had brought into being, and with a presentation of the cemetery’s history.
In Chapter 8, Dr Photini J.P. McGeorge presents her detailed study of cremation Θ in tomb N, while Dr Wiesław Więckowski offers the results of his study on the anthropological material from alcove I and tombs K-N.
The richly illustrated documentation of the tombs derives from the archive of the excavation. The photographs of the nearby Mycenaean settlement at Mygdalia Petrotou (fig. 3) come from the archive of its ongoing excavation project and contribute to the understanding of the region’s archaeological landscape. The presentation of the data tables at the end of this book (Appendix) facilitates the comprehension of specific aspects of the cemetery (burial practices according to gender and age, grave-goods according to gender/age/generation, demographic data per generation etc.).
The publication of the Mycenaean cemetery at Clauss near Patras, yields information on various aspects of an unknown society situated at the periphery of the Mycenaean world, soon before its gradual end. It presents in a concise way the material culture of the society: the products of the local pottery workshops and their distribution, the metalworking industry of Achaea, the imported bronze objects from the Adriatic coasts, and discuss the role played by the NW Peloponnese in the distribution of these bronze objects throughout the rest of the Postpalatial world.
The detailed presentation of innumerous aspects of the material culture is followed by an analysis of other less tangible aspects of this society such as: the burial customs, the demographics of the cemetery, the palaeopathological findings, signs of social differentiation based on burial practices and offerings, details of family life (fig. 7), habits, and stereotypes, and any other unexpected finds from a society, which despite our ambitious approach remains anonymous, largely unknown, and enigmatic.
The study of the Mycenaean cemetery at Clauss near Patras, offers the chance to enlighten the ‘golden era’ of the NW Peloponnese in the years of the deep crisis that followed the fall of the Mycenaean palaces.
Constantinos Paschalidis Curator of Antiquities National Archaeological Museum, Athens
A casual reference to a remote Cheshire hamlet begins Mabel Bent’s 5th travel diary, or Chronicle, in January 1888; she (1847-1929) being the indefatigable wife of that great traveller and self-styled archaeologist, James Theodore Bent (1852-1897), who will be sitting close to her, looking at some map or travel permit. Mabel is writing from the Hôtel de Byzance in Istanbul (Constantinople to her, of course), about as far removed from the Norman-founded house of Sutton Hall as one can get. Mabel confides that the explorers were hoping to return to Thásos island to continue their semi-authorised excavations of the season before, but their nemesis, Istanbul Museum director, Hamdi Bey, has steimied them.
Instead, the couple shortly embarked on a sequence of (illicit) investigations along the Turkish littoral (in particular the coastline opposite Rhodes), which proved fruitful: some of Bent’s marbles from this expedition are now in London at the British Museum (and a search of its on-line catalogue will turn them up). Bent briefly wrote up his discoveries of ancient Loryma, Lydae, and Myra for the Journal of Hellenic Studies (1888, Vol. 9, 82-7), but a lengthier account was provided by E. L. Hicks (‘Inscriptions from Casarea, Lydae, Patara, Myra’, 1889, Vol. 10, 46-85), including transcriptions of over forty inscriptions and passages of text from Theodore’s own notebooks (which are rare, as many of his original notebooks are now missing).
But let’s cut back to Mabel in the Hôtel de Byzance, and that reference to Sutton Hall:
‘We left England on January 19th Thursday, travelling from Sutton Hall to Marseilles, which we reached at 12.10 pm on Saturday morning and went to bed at the Station Hotel. We varied our journey by going for our meals to the Waggon Lits dining car. We embarked in the afternoon on board the Messageries steamer La Bourdonnais, with only one passenger besides ourselves and a captain’s wife going to join her husband. We had dreadfully stormy weather after Cape Matapan and had to shelter 20 hours in the island of Seriphos, always eating with fiddles on the table. We only got to Syra on Thursday. We landed and found to our sorrow that our kind consul Mr. Binney was dreadfully ill. At Smyrna we visited Mr. Disinnis and he seemed nearly worn out from nursing his wife. We reached Constantinople on Saturday [January] 21st and after an odious landing in a downpour of rain, our goods being as usual opened in a passage roofed over only, we found ourselves again in the Hôtel de Byzance. There is not much to tell of our stay there. Our great object was to obtain a firman, permitting us to dig in Thasos and have a share of the finds. With this object we went to visit Hamdi Bey, the head of the museum, accompanied by Mr. Wrench, our Consul… Hamdi is a very agreeable foe. He is a painter and has been educated in Paris and has married 2 French wives in succession. We were at his house 2 years ago. He was extremely polite and most willing that we should dig “for the love of science” and the benefit of his museum. His wife is a pretty, bright little woman, who, though she receives everyone at home, has to go out in a yashmak… We went twice, our second visit was to say we had given up wishing for a firman, as we were not justified in digging for nothing. Hamdi seemed annoyed at this but was none the less civil. Mrs. Hamdi took me upstairs to see her 2 children, Leila aged 10 and Edhem 4, called after his grandfather, His Highness Edhem Pasha, who was himself, or was the son of a slave. I also saw her mother, an untidy old woman in a dressing gown, and I had coffee.‘
[The Chronicles of Mabel Bent, Vol. 1, 228-9, Archaeopress, 2006]
And all a long way from rural Cheshire. The modest grand house of Sutton Hall, a few miles from both Macclesfield and Chesterfield, has sturdy Norman roots: for a period of time in the late 19th century it just also happened to be leased to Theodore Bent – arguably one of the pioneers of Cycladic archaeology (1883/4); controversial surveyor of ‘Great Zimbabwe’ for Cecil Rhodes (1891/2); and searcher for traces of the Queen of Sheba along the daunting Hadramawt (1894/5). [A select bibliography follows]
Wikipedia informs us that:
‘The house is constructed partly in stone, and partly in timber framing, with a U-shaped plan. The arms of the “U” end in irregular gables. The left gable is in stone, and the right is timber-framed. The upper storey of the right gable is jettied, the jetty being supported on brackets carved with wooden figures, one a knight in chain mail. Between the two wings is the former great hall. A 16th century chapel at the rear of the house, which has served at different times as stables and as a convent, now serves as the restaurant kitchens. The house is recorded in the National Heritage List for England as a designated Grade II listed building.’
‘Once the property of the Sir Humphrey Davenport, Chief Baron of the Exchequer in 1631, the Manor of Sutton later passed by marriage to Sir Rowland Belasyse, an ancestor of the Earls of Fauconberg. In 1819 it was acquired by the Countess of Lucan and descended to her successors, the Lords Lucan, primarily used as a farmhouse. The countess had been born Elizabeth Belasyse, daughter of Henry Belasyse, 2nd Earl Fauconberg and in 1794 had married Richard Bingham, who became the 2nd Earl of Lucan in 1799. By 1804, after six children, they had separated.’ [https://en.wikipedia.org/wiki/Sutton_Hall,_Sutton_Lane_Ends]
In its present incarnation, the erstwhile Bent residence is a pleasant, out-of-the-way gastro-pub and very worthy of a detour and lunch. [GPS= 53.240306854248,-2.1160869598389. A potted history and photo gallery is available at http://www.brunningandprice.co.uk/suttonhall/homepage/%5D
Local historian Alan Dinnis adds:
‘The Bents had been in the Sutton area for some time. Back in 1838-39, when St James’ Church was planned, members of the family contributed a total of ten pounds to the building fund. In the 1860s, when it was customary for church pews to be rented, “The Misses Bent” held eight seats with another four seats for their “domestics”. Theodore owned The Elms in Byron’s Lane and had another house in London. He also held the lease (from the Earl of Lucan) of Sutton Hall, which was occupied by his Aunt Maria.’ [personal communication, Oct 2011]
Sutton Hall was initially leased by Bent’s parents, James Bent and Margaret Eleanor (née Lambert, daughter of wealthy Baildon (near Bradford) locals, John and Ann Lambert of Baildon Hall), who married in April 1848. The Bent family could be traced back some generations in the north of England, related to the splendidly-named Hamlet Bent (1642-1728). Another branch of the family included the distinguished surgeon Sir James Justin Bent, who amputated Josiah Wedgewood’s right leg in May 1768. Sir James resided in Basford Hall (near Leek, Staffordshire) and it was his family crest that was adopted and adapted by other members of the extended family – including Theodore: the ‘demi-lion azure’ featuring on his stationery. One family motto was ‘Nec Temere, Nec Timide’ – ‘neither reckless, nor timid’. Bent was never the latter. (Theodore (he dropped his first given name – James) was born in thriving Victorian Liverpool on 30 March 1852 – an uncle, Sir John Bent, was Lord Mayor of the city in 1850-51.)
The non-medical Bents made their wealth collectively in the pottery and brewing trades – making both beer and the means of supping it being rather canny. The business ‘Bent’s Brewery Co. Ltd.’ only disappeared as a trade name in the 1960s.
As well as their fine home in Baildon, and assorted properties in the area, Theodore’s father (presumably) also leased Sutton Hall, it seems as a home for his sister and those of his brothers, and which was to become the favourite English summer residence of his son Theodore and his wife Mabel.
Within a year of his father’s death, with Theodore 25 and Mabel 30, the couple announced their engagement (the couple having met in Norway) and a few months later, in August 1877, the local Cheshire and Yorkshire newspapers (York Herald, 6 August, and Cheshire Observer, 8 August 1877) printed a marriage notice:
‘On the 2nd inst. at Staplestown Church, county Carlow, Ireland, by the Rev. Charles Lambart, uncle of the bride, assisted by the Rev. H. A. Barker and the Rev. T. Hatchell, James Theodore Bent, of Sutton Hall, in this county, to Mabel Virginia Anna, second sister of the late Robert Westley Hall Dare, of Newtonbarry House, County Wexford.’
In the summer of 1885, Theodore (now comfortably off) put up for sale five freehold cottages and premises (totalling about four hectares) at Brook Hill, Baildon (and a freehold close of land in Slaughter Lane) at auction. The young explorer was left with Baildon House and his property interests in Sutton. (Anglo-Irish Mabel had access to lands of some grandeur in Co. Wexford and Theydon Bois, Essex, where the couple rest together today in the Hall-Dare plot in St Mary’s church.)
From 1880, at least, the Bents also leased property in London. In 1880 they were in 43 Great Cumberland Place (near Marble Arch) and a few years later they were in number 13, in which Mabel continued to reside in rather lonely isolation until her death in 1929. It is unclear what happened to the lease at Sutton Hall up until Mabel’s death in 1929, but at Theodore’s death in 1887 it was incorporated into his trust estate:
‘…I bequeath to my Aunt Maria Bent her executors administrators and assigns absolutely All that my leasehold messuage called Sutton Hall Macclesfield wherein she now resides for all my term and interest therein she paying the rent and observing and performing all the covenants and conditions contained in the lease thereof. I devise all my freehold or copyhold estate at Sutton near Macclesfield aforesaid called “The Gurnett” unto my trustees…Upon trust to permit my said Aunt Maria Bent during her life to receive the rents and profits thereof and from and after her decease I declare that the said freehold or copyhold estate shall sink into and become part of the trust estate hereinafter mentioned…’ [‘Clause in Will of J T Bent, signed 21 Jan 1891 (died May 1897, no other wills known by me but further codicils may have been added)’]
It seems that ‘The Gurnett’ was linked in some way with the property referred to (see above) as ‘The Elms’. This residence was perhaps in turn rented out, as in 1895 it was the residence of one ‘Alderman John Birchenough JP… a prominent local politician and silk manufacturer’, and described as ‘a pretty mansion in Byrons’ Lane, Sutton…’ [https://en.wikipedia.org/wiki/John_Birchenough]
The Daily News of 21 August 1897 records that Theodore’s personal estate on his death was valued at £21,497, and refers to the deceased as ‘the well-known traveller and archæologist’.
Sutton Hall pub’s own website has an interesting archaeological snippet:
‘In the grounds of Sutton Hall there is a somewhat dilapidated Bronze Age barrow (now the resting-place of a water trough). In 1962 the barrow was again excavated, by James Forde-Johnston of Manchester University, who unearthed evidence of several further cremations. He discovered that the mound had originally been around 100 yards in diameter, but was substantially reduced, with many of the river cobbles having been removed to the nearby farmyard for use in paving, where they can still be seen.’ [http://www.brunningandprice.co.uk/suttonhall/history/]
Bent would most certainly have known of it (probably a cremation site, now much reduced in size), and in all likelihood taken a spade to it, although we have neither record nor proof: although the ‘somewhat dilapidated’ is perhaps one clue (!) and a search for Forde-Johnston’s notes (this current author has not attempted to) might reveal others.
Theodore did however make several notable archaeological discoveries, and very often refers to himself as an ‘archaeologist’, however he is not recognized quite as such by today’s practitioners. Although the discipline was already well advanced by the late 19th century, Theodore was much more artefact- than context-lead as an ‘excavator’, more interested in recovering material to return with to England (and perhaps to deal in) than interpreting and communicating a wider understanding of the site he was excavating. In a similar way, he was often handicapped by his own theories – for example his notorious work at ‘Great Zimbabwe’, the discrediting of which caused Mabel such distress after his death. So, perhaps then archaeologist, no; but explorer-traveller, adventurer, even antiquarian and ethnographer, emphatically yes. Great British travellers, travel-celebrities even, indeed. Bent would be a TV presenter today – Jago Cooper if not Michael Wood.
Sutton’s local church of St James’ contains a sweep of memorial windows to the Bents. Theodore installed one for his father († Dec 1876) and mother († Nov 1873). And their son, in his turn – and nicely depicted as St James – has one donated by his widow. In the church guide we read:
‘This window is dated 1897 and depicts a pilgrim ending life’s journey at the gate of Heaven and being welcomed by an angel. The pilgrim is dressed as St James. There is a scallop shell in his pilgrim’s hat… The window is in memory of J. Theodore Bent, of Baildon House, Yorks, and Sutton Hall, who died on 5th May 1897 aged 45. It was given by his widow Mabel, of 13, Great Cumberland Place, Middlesex.’ [Alan Dinnis, St James’ Church, Sutton: 1840–1990, Macclesfield 1990, 136]
The Cheshire Observer of 27 November 1897 provides more information:
‘Mrs. Mabel V. A. Bent, residing at 13, Great Cumberland Place, London, applied for a faculty to place a stained-glass window at the east end of the church, as a memorial to the late James Theodore Bent, a former parishioner. The cost (£72) would be defrayed by Mrs. Bent. – The faculty was granted.’
It is a fine, long window (dated 1896 curiously), depicting the pilgrim (a.k.a. Bent) being welcomed by an angel at heaven’s gate. The caption reads: ‘To God’s glory and in remembrance of J. Theodore Bent. FRGS, FSA. Son of James and Margaret Eleanor Bent of Baildon House, Yorks, and Sutton Hall. Died May 5 1897, aged 45.’
Mabel specified two quotations: ‘The highways were unoccupied and the travellers walked through byways’ (Judges 5:6) and ‘They were strangers and pilgrims on the earth’ (Hebrews 11:13). Mabel and Theodore are reunited in these lines. (There are other memorials to the Bents and Hall-Dares in Baildon (St John’s), Theydon Bois (St Mary’s), and Bunclody (Co. Wexford, also St Mary’s.)
But Sutton Hall was to remain one of the Bents’ happiest homes and they spent time there as often as they could – their routine from the early 1880s until Theodore’s death in 1897 was to travel in English winters and return to England and Ireland for summers and autumns. As well as visiting family and friends, Theodore would spend these periods writing, lecturing, and preparing for the next season and the beeswaxed and grandfather-clock-ticking rooms of Sutton Hall would have been furnished with the desks and tables on which Theodore worked on many of his books (a select bibliography concludes this essay) as well as the hundreds of letters (his correspondents including Rider Haggard: did he have Bent in mind as Allan Quatermain?), as well as the articles and lectures he generated over the twenty or so years of travel.
As one example, alluded to above, Theodore spent a good deal of the summer and autumn of 1887 trying (unsuccessfully) to drum up enough support to have some of the fine marbles he uncovered on Thásos saved for London; the Turks claimed them, the Greeks were dispossessed – today most are in Istanbul. Letters exist from Theodore at a series of addresses in Herefordshire (mostly vicarages), and Sutton Hall to senior staff at the British Museum:
‘… We have indeed been unfortunate about our treasure trove [sic] but I have hopes still. I sent to Mr. Murray [of the BM] a copy of two letters which recognize the fact that I had permission in Thasos both to dig and to remove… Seriously… Thasos is wonderfully rich and I have some excellent points for future work and if we could by not being over grasping get the Turkish govt. to recognize the [position] I am confident we could produce some excellent results.’ [Bent’s letter to Arthur Smith at the British Museum, 4 Sept 1887]
As for Sutton’s later role in the lives of the Bents, future research, we hope, will uncover the story of Mabel’s holidays, as a widow, at Sutton Hall, but we may assume that Theodore last saw the house in the summer and autumn of 1896 before leaving for Sokotra and Aden – his final journey.
At Aden, the Bents – with their long-serving assistant Matthew Símos (from Anáfi in the Greek Cyclades) – set out on 27 February 1897 for their last explorations together into the territories east of Aden. They were clearly weakened after their stay on Sokotra, and on March 16 Mabel records that: ‘Theodore was in a raging fever so that I had to tell him I was now much better and had got quite strong, so I could take care of him…’ (Mabel’s Chronicle for March 1897), and it was clear that the expedition would have to be aborted: the arduous trek back to the South Arabian coast, and onward boat-journey to Aden, would have to be made as soon as possible. With great difficulty, the stricken travellers were aided down to the coastal town of Shuqra for the 100km return sail to Aden, and by 26 March 1897 they were all in the hospital there.
Mabel’s letter (from London) to Scott Keltie at the Royal Geographical Society, London, just before Theodore’s death, sums up their acute distress at the time:
‘Dear Mr. Keltie… We got home on Saturday night [1 May 1897] in a most wretched state. We have had malarial fever and I have been ‘dangerous’ in Aden and now it is my poor husband’s turn. He got a fresh attack just getting home and pneumonia. He is a little better today but not out of danger – but I have good hopes though awfully anxious as the Drs. shake their heads. We have one sleeping in the house and 2 nurses as I am no good yet. I had to be carried to the steamer in an ambulance litter… We have had an awful time – bad enough without this. I have one of my sisters so have good help. He made little maps fitting on to each other but just yet I seem not to know where they are. When as I can’t help thinking he is better I will ask you to come and see the things. I was pretty lucky with my photos. We nearly got to the coast at Shugra before we got the fever, through part of the Beled Fadhli again – We were in the hospital at Aden… Yours truly, Mabel V. A. Bent’
Despite the attentions of Mabel, her sister Ethel, a resident doctor and two nurses, Theodore did not ‘get better’, succumbing just a few days later on 5 May 1897. (He is buried in his wife’s family plot at St Mary’s, Theydon Bois: there is a memorial stone to them both; you can visit.)
Sutton Hall witnesses this next sad letter written by Mabel, as, on top of everything else, with her uncle Francis also dying in May, she was faced with the melancholy task of unpacking all their botanical specimens for Kew. From Sutton Hall (on black-edged paper), she writes (24 May 1897) to Kew director, Sir William Thiselton-Dyer:
‘I don’t know how to thank you enough for your letter, it was so kind. People have been so good in writing to me and though of course one cannot be consoled it is a pleasure to feel my husband was appreciated and that my friends share my great sorrow. He was always occupied and so happy in his work. Of course he collected some flowers and I shall have to unpack them soon and I should like to take them to you on Friday or Saturday which ever day and time suits you. One of my sisters is with me and we go up to town on Thursday morning to be ready for the valuations and then I must unpack all our ‘long sea’ baggage and camp furniture which will be very sad and painful. [Mabel adds a postscript from London here] I wrote so far but now I find I am not strong enough. I have unpacked this morning and I am sure the things want attending to as the bulbs are growing and I am alarmed about some of the cactuses. Could you send someone to get explanations or come some afternoon. Please let me know when. Soon would be best as after the 1st I think the valuators will infest the house… With kind regards to Mrs Dyer, Yours very truly, Mabel V. A. Bent’ [Black-edged letter, 24 May 1897 from Mabel Bent at Sutton Hall, Macclesfield, to Thiselton-Dyer. On reverse: ‘Ansd 29.v.97. Mr. Watson to go on Monday afternoon. Parcel of dried plants, bulbs, seeds etc. from Arabia and Socotra brought to Kew. Ackd 4.6.97’ (Kew Archives: Directors’ Correspondence, Vol. 179, 8)]
This trip that cost Theodore his life produced the least return. There were no major archaeological finds: a very few artefacts are now in the British Museum and Pitt Rivers Museum, Oxford. There were some plant specimens for Kew, as usual, and a few land snails are in drawers in the Natural History Museum, London.
We must wait for a suitable Bent memorial at the gastro-pub that Sutton Hall now is (although at the upstairs windows one might glimpse drawn faces still), but just along the church lane, on the little hill that offers up St James’, Theodore, from his stained glass window, looks out south and south-east towards their remarkable routes and researches in the Mediterranean, Africa, and Arabia: thousands of land- and sea-miles, on hundreds of steamers, small boats, horses, mules, camels, and ox-carts to ‘Great Zimbabwe’. Today’s pub visitors have no idea – but, inside, the dark, Victorian rooms crackle with Empire and the small-talk of archaeologists.
(c) Gerald Brisch, August 2017
Acknowledgement: The author would very much like to thank Robin Barber for a communication that inspired the above article.
A select bibliography
Bent, J. T. 1877. A Freak of Freedom (London).
Bent, J. T. 1881. A Life of Garibaldi (London).
Bent, J. T. 1881. Genoa, how the Republic Rose and Fell (London).
Bent, J. T. 1885. The Cyclades; or, Life Among the Insular Greeks (London).
Bent, J. T. 1892. The Ruined Cities of Mashonaland (London).
Bent, J. T. (ed.) 1893. Early Voyages and Travels in the Levant (London).
Bent, J. T. 1893. The Sacred City of the Ethiopians (London).
Bent, J. T. and M. V. A. 1900. Southern Arabia (London).
Bent, J. T. , Bent, M. V. A. and Brisch, G. E. (ed.) 2015. The Dodecanese: Further Travels Among the Insular Greeks (Oxford, Archaeopress).
Bent, M. V. A . and Brisch, G. E. (ed.) 2006. The Travel Chronicles of Mrs J. Theodore Bent. Volume I, Greece and the Levantine Littoral (Oxford, Archaeopress).
Bent, M. V. A . and Brisch, G. E. (ed.) 2012. The Travel Chronicles of Mrs. J. Theodore Bent. Volume II: The African Journeys (Oxford, Archaeopress).
Bent, M. V. A . and Brisch, G. E. (ed.) 2010. The Travel Chronicles of Mrs J. Theodore Bent. Volume III: Southern Arabia and Persia (Oxford, Archaeopress).
A fuller Bent Bibliography and other information on the Bents is available at: www.tambent.com
[All above websites accessed August 2017]
Visit the Archaeopress website to view the 3rdGuides range of publications including Mabel Bent’s Travel Chronicles Vol 1-3, written during the couples’ excursions to Greece, Africa, Arabia and Turkey (1883-1898), a new edition of Theodore Bent’s The Cyclades (1885) accompanied by a newly commissioned biographical introduction and a series of notes including route-planner, and historical and archaeological summaries, and a volume of compiled papers, notes and travel-writings, The Dodecanese(2016).
The above books are available at special prices until 30/09/2017.
Gavin McGuire considers the first phase of a photographic study of an archaeological excavation in Crete, highlighted in his book ‘Minoan Extractions – A Photographic Journey 2009-2016’
With the Sissi Archaeological Project, my seven year photographic study of the Bronze Age Minoan excavations under the auspices of the Belgian School in Athens, Université Catholique de Louvain, I have been offered an extraordinary opportunity to capture moments of human interaction during excavations as they interconnected with an ancient Minoan culture that stretches back millennia (2600-1200 BC). And there is more to come with the new dig campaign under way at a three hectare site which has been described as one of the most important Bronze Age excavations in Crete during the past decade.
The Minoan Extractions has also been a personal journey with the chance to pay homage to the work of influential photographers – in and out of the archaeological sector, including my mentor, the outstanding photographer – Harry Burton. During the 1920’s his iconic monochrome images of the Tomb of Tutankhamun, as well his work at other sites in Egypt, have fascinated people throughout the world, and yet only in recent years has there been a growing reassessment of his contribution to photography.
Of course photography within archaeology is not new – with its origins arising during the early nineteenth century and especially in 1904 becoming ‘official’ with Egyptologist Flinders Petrie’s manual ‘Methods and Aims in Archaeology’. For nearly 200 years in the Mediterranean and Near East in particular, photographers in conjunction with archaeologists have played a crucial role in pushing back the barriers of the ancient world for both scholars and for a demanding global general audience.
With the Sissi photographic project, at a unique coastal landscape about four kilometres from Malia palace in Crete, I have continued a proud photographic tradition that is once again facing a new era of major technological change – from digital to virtual, from handheld cameras to drones and to live excavation access. It is also the age of the smartphone – easy for anyone to use, producing high quality images and ultimately engaging a wide general audience.
Needless to say these changes are highlighting the importance of imaging, especially at this time as we are seeing wanton destruction of major archaeological sites in the Middle East and of general neglect and a lack of financing. Discovery may be an over arching goal for archaeologists, but the truth is rescue and preservation dominate excavation campaigns. The past is present but the present is a very fragile one indeed.
The photography at Sissi is simply being at the right place and at the right fleeting moment, making images that highlight motion and emotion from the 80 or so ‘players’ on the archaeological stage for their six week or so excavation during July-August. It is what the renowned French photographer and humanist, Henry Cartier Bresson, referred to as ‘The Decisive Moment’.
There are images of scientists at work – archaeologists, anthropologists, technical specialists, such as surveyors, local workmen digging (many proudly following in the wake of their forefathers) and restorers and conservators dealing with the thousands of finds housed at the apothiki or workshop.
Yet the Sissi Project encompasses not only the excavation period but includes images of the site throughout the year, showing, in part, the impact of the environment. Indeed if there is a favourite ‘out-of-dig-season’ photographic period then it must be autumn and winter, where the dominating Selinari mountain range and often violent seas and dark storms combine to conjure up a dramatic contrast to the Bronze Age remains. This is surely what the Minoans must have witnessed for more than nearly 1300 years.
I photograph in both colour and black-and-white but in recent years have preferred the latter, mainly because of what I see as the aesthetic qualities of the genre. It is a realism ensured through the subtle variations of contrast and light without the distraction of colour. In other words it comes down to getting the viewer to look into the image not at it.
The Sissi site is an ideal laboratory to test any camera and its paraphernalia – the near stifling heat, the dust, sea grit and water and general bashing about. In this respect I have stayed faithful to my favoured Olympus E-510 SLR and lately with the mirrorless OM-D E-M5 Mark II. Of the Digital ED lenses I prefer to use the 9-18 ultra-wide and 50mm. The one filter that has become indispensable is the HD digital protector screw-in filter. They are a godsend to protecting lenses from the damaging environment and I have certainly got through a few of those over the years. Post production is kept at a minimum.
I have certainly produced many hundreds of photographs at the site during the last seven years. There is never a daily schedule and time to prepare once there. My photography is on the run or more importantly on the sly – as I prefer subjects not to be aware of my efforts.
Looking back at what I would consider my favourite images I would say they reflect the work of the anthropologists in the cemetery with the excavated skeletal remains, highlighting memory, time and mortality and of their attempts to seek closure for such finds through the processes of DNA and isotopic study.
But I would also confess that the photographs that have proved particularly successful have been nothing more that opportunistic, often arising from one rapid shot, almost from the hip. It happens. Nothing planned but if the brain connects with the eye then you can walk away highly satisfied. Job done – at least for the moment, for as archaeologists well know the excavation is never over until the sound of the last shovel dies away. It is generally accepted that the last 48 hours of a dig is the period in which new and sometimes site changing discoveries are made – and so it has happened at Sissi. It makes this Bronze Age settlement worth photographing. So watch this space.
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